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Brad Aldridge"A Walled Garden", 2022
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Brad Aldridge"Autumn Moon, Cedar Cliffs", 2022
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Brad Aldridge"Juniper Sunset", 2022
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Brad Aldridge"Afternoon Light", 2021
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Brad Aldridge"The Treehouse", 2021
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Brad Aldridge"Farm in Spring", 2020
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Brad Aldridge"Green Pasture", 2020
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Brad Aldridge"Irving and Grove, Brooklyn New York", 2020
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Brad Aldridge"November Evening", 2020
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Brad Aldridge"Twilight, East River", 2020
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Brad Aldridge"A Walk by the Tiber (view of Rome from Castel Sant' Angelo", 2018
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Brad Aldridge"London Study", 2018
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Brad Aldridge"St. Paul's Cathedral, London (view from Tate Museum)", 2018
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Brad Aldridge"Venice (view from Campanile di San Giorgio Maggiore)", 2018
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Brad Aldridge"Desert Springtime", 2017
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Brad Aldridge"A Warm Dawn", 2012
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Brad Aldridge"Cut Hay", 2012
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Brad Aldridge"Farm Land, Early October", 2011
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Brad Aldridge"Early Morning", 2009
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Brad Aldridge"City at Dawn"
Brad Aldridge is a contemporary landscape artist whose focus in painting is not so much articulating a specific place, rather, a specific feeling that emanates from that place.
Brad Aldridge creates pastoral landscapes which evoke an Arcadian calm. His paintings conjure 19th century Romanticism and Tonalism, while employing somewhat loose 20th century brushstrokes. Born in 1965 near Tokyo Japan, Aldridge lived in several locations throughout the United States as his father served in the US Army. Aldridge graduated with a Bachelor of Fine Arts degree from Brigham Young University, Utah, and a Master of Fine Arts degree from the University of Arkansas. Having exhibited in over 20 solo exhibitions and numerous group exhibitions, Aldridge has recently created paintings and monumental landscape murals for temples on five continents for the Church of Jesus Christ of Latter-day Saints. Collectors include Honeywell Corporation, the Fred Jones Jr. Museum of Art, Tyson Foods, University of Oklahoma, The Church of Jesus Christ of Latter-day Saints and the Springville Museum of Art. He lives and works in Moroni, Utah.
Statement
"Art needs a reason to exist. That’s what a college professor once told me, and I think it’s true. Painting is communication when shared with others, and when one communicates, they should have a point. Intimate conversations should convey something that is worth saying. Ideally, they share a glimpse into precisely who the person really is, what they really think and feel.
When I communicate, when I paint the world around me, my best paintings are suffused with my temperament and sensibilities, my views on the big questions of existence. The world in which I find myself is often filled with hard adversity in an uncertain tangled present, to be sure. But often in nature, I am surprised by some exquisite scene, the profile of a tree against a pale blue sky, the last red light of day on the west mountains near my home, or a glowing distant horizon. These moments remind me of a hopeful something, "a far-off country," “a better country.” I want my paintings to echo what nature teaches so well, that dawn follows the darkest night, and that in spite of a long hard winter, spring comes again."